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Author Topic: Blues Grammy Awards Nominees
Temple Crew
Blues Worshipper
Member # 2

posted January 22, 2001 10:06 PM     Profile for Temple Crew   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
Best Traditional Blues Album
James Cotton, Billy Branch, Charlie Musselwhite and Sugar Ray Norcia for Superharps
B.B. King and Eric Clapton for Riding With the King
B.B. King for Let the Good Times Roll
Robert Lockwood Jr. for Delta Crossroads
Willie Nelson for Milk Cow Blues

Best Contemporary Blues Album
Wicked by Shemekia Copeland
Shoutin' in Key by Taj Mahal & The Phantom Blues Band
Shake Hands With Shorty by The North Mississippi Allstars
Hoochie Man by Bobby Rush
Royal Blue by Koko Taylor

Special note, The Kenny Wayne Shepherd is nominated the Best Rock Instrumental Performance category.


Posts: 89 | From: The Temple of Blues | Registered: Jan 2001  |  IP: Logged
MARK HODGSON
Blues Worshipper
Member # 73

posted February 07, 2001 06:54 AM     Profile for MARK HODGSON   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
The same old people, with the same tired music.....how much money does one have to have in order to have the blues?
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Slim Lively
Blues Worshipper
Member # 16

posted February 07, 2001 06:49 PM     Profile for Slim Lively   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
I can hardly call Shemekia Copeland, the North Mississippi Allstars and Bobby Rush the same old people. I'm not sure if Rush has ever been nominated before.

Robert Jr Lockwood deserves to be mentioned. He won a couple years back and his "Delta Crossroads" is a magnificent recording, even if he does do the same "old" songs. Some people play the same songs consistently the same, but folks like Lockwood, Pinetop Perkins and John Lee Hooker work those "old" songs into fresh and new versions EVERY time out!! It's a sign of being an innovator and master of your craft.

Slim


Posts: 98 | From: Portland, Oregon, USA | Registered: Jan 2001  |  IP: Logged
MARK HODGSON
Blues Worshipper
Member # 73

posted February 11, 2001 07:31 AM     Profile for MARK HODGSON   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
SLIM,
My point is....the blues as a business needs to move into the 21st century. The people behind the music seem to be afraid to move with clout into a place where an artist can tour 100 dates a year instead of 250 to make a living. When Clapton makes a record one does not immediately think of the lineage of the music, but of Clapton himself. Blues MONEY is conspiring to keep the music pigeon-holed. Major labels treat the music as novelty. Radio pretends only children listen and buy.

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Slim Lively
Blues Worshipper
Member # 16

posted February 11, 2001 04:01 PM     Profile for Slim Lively   Author's Homepage     Send New Private Message   Edit/Delete Post   Reply With Quote
Mark,

Have you heard of the BMA (Blues Music Association). It is a fairly young organization aimed specifically at gaining attention for the advancement of blues music and musicians through the media and retail.

Radio tends to focus on younger audiences, because that is the type of music that sells best. Blues is more of an adult-stylized art form that eventually most listeners come to later on.

I look at a lot of the members on this site with their adulation of Stevie Ray Vaughan and am delighted that Stevie will probably cause them to look at the earlier performers that inspired him. People like Buddy Guy, Freddie King or Elmore James. From there you look at the influences of those earlier folks and find Robert Nighthawk or Son House or Charley Patton. It's a full-circle event.

I do not find that a lot of blues musicians are playing those multitude of dates once they've gained their fame. BB King is an exception to this and it's simply because he wants to give his audience what they want. That's to see BB perform live. Many of them simply cannot do it anymore. John Lee Hooker is at an age where he can only perform a handful of shows a year, and limits most of those to the West Coast.

I do not think that the major labels purposely treat the blues as a novelty. They're in the business to make money and what's going to do that is whatever is the hot thing today. You'll find most of those hot things material in the recycled bins at your used record stores soon. But look for the blues records and you're not going to find much. Why? Because the people buying it want to keep it. It speaks to them and they can relate. Not just for the now, but always.

Fads come and go. Watching the Ken Burns Jazz series, they said that by the '70s jazz music had only amounted to 1% of sales. Yet, it continues to live as does the blues. Before SRV or Robert Cray emerged in the '80s, many people had forgotten about the blues. Today it continues to grow. Just look at the number of festivals popping up everywhere, giving those artists venues to perform.

I believe focusing on Clapton is the wrong individual. He has crossed-over to multiple genres and plays little blues today. Keb' Mo' might be a better example and I can guarantee he doesn't have to play more than 100 gigs a year anymore. Nor do the young hot shots like Jonny Lang, Kenny Wayne Shepherd or Susdan Tedeschi.

No matter what occurs in the fickleness of the listening audience. The blues will survive as they always have.

Slim

[ February 11, 2001: Message edited by: Slim Lively ]


Posts: 98 | From: Portland, Oregon, USA | Registered: Jan 2001  |  IP: Logged
eBuddha
Blues Worshipper
Member # 3

posted February 18, 2001 03:18 PM     Profile for eBuddha     Send New Private Message   Edit/Delete Post   Reply With Quote
Mark,

While I can empathize with your opinion about who gets the awards, I disagree on a couple of points;

Personally, when I think of Clapton, I do indeed think about the lineage of his music. He used and/or created such a plethora of musical styles (as did the other old guys and gals, like Hendrix, JP Jones, K Moon, Elvis, Janis, Muddy, ad nauseum) and I do indeed explore the "lineage" behind the great ones.

OTOH, what you say is true to an extent. It is tiring to always see the big names get the big recognition. But like Slim mentioned, this is why the associations and awards people have the "best new" artist.

Also, I think the problem of the powerful people having it easy transcends musical genres (and music itself). We hear the same lamenting from people in all musical genres, from blues to rap to rock to boy bands etc. In the case of blues, it is simply harder because there is less money to go around (as someone mentioned in another thread here.)

BTW, went to check out your web site - cool ... keep on playing!

eBuddha


Posts: 116 | From: Greenfield Park, Quebec, Canada | Registered: Jan 2001  |  IP: Logged

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